Református Szemle 112.2 (2019)

Studium

Máthé-Farkas Zoltán(113--142)

Job 29,18 is one of the most disputed verses from this chapter, especially with regard to the meaning of the Hebrew term lwx. This word can be rendered either as ‘palm’ (so, e.g. in the Septuagint and the Vulgate), or ‘sand’ (e.g. Saadiah Gaon), or ‘phoenix’ (e.g. Genesis Rabbah, B.Talmud Sanhedrin). Several Hungarian versions support both ‘sand’ and ‘phoenix’. This article shows that the Massora parva suggest that lwx is an example of talHin /double entendre. This means that the massoretes who fixed the text of the Leningrad Codex probably took for granted that lwx referred to both ‘sand’ and ‘phoenix’ as a bird-name.

Old Testamentexegesis, bibliafordítás, philology, Book of Job, főnix-legenda, crux interpretum
Sarnyai Csaba Máté(143--152)

In this study we analyse some aspects of Sándor Makkai’s approach to religion. According to Makkai, the most important and most fundamental question of religious psychology is the mysterious origin of religion. When this question is answered, the essence of the essence of the psychology of religion will also be identified. Philosophy, social studies, science, sociopsychology and empirical psychology all intend to address issues familiar within the realms of the psychology of religion, including the aforementioned focal question. Makkai points out why the disciplines mentioned cannot, in his view, correctly approach psychology of religion and define religion itself. Makkai argues that the epistemological psychology of Károly Böhm provides the most fitting psychological description of the origins of religion. With this starting point, he delineates his interpretation of the concept of religion and of the religious experience.

Systematic theologyvallásfenomenológia, vallás eredete, Makkai Sándor, valláspszichológia
Bagosi József(153--191)

The author sums up the results of 30 years of exploration within all available ecclesiastical and archival documents. The author also collected data from the living traditions from ethnographic sources in the county. He illustrates his contentions with archive materials and newly made photos.

Church historytemető, temetkezés, Berettyószéplak
Simon János(192--202)

Many archaeologists are involved in excavations in the lands of the Bible, and each year an increasing number collection of artefacts are unearthed that offer us a glimpse on the background of the biblical history and texts. This article presents the top archaeological findings connected to the Bible, reported in 2018. The incredible treasures from the tomb of prophet Jonah came to light thanks to tunnels dug by ISIS. The “Yerushalayim” inscription on an ancient column dated to 100 B.C. is the first known appearance of the name of Jerusalem in Hebrew or Aramaic written in stone. The clay pomegranate found at Tel Shiloh is dating back to the First Iron Age, to the times of the Tabernacle of ancient Shiloh. An extremely rare seal impression discovered at Jerusalem’s Western Wall plaza and bearing the inscription “Belonging to the governor of the city” confirms specific biblical information. A tiny stone weight engraved with ancient Hebrew letters spelling the word Beka, dating to the First Temple period, was discovered in situ on the north of the early City of David. During the renewed excavations at the foot of the Southern Wall of the Temple Mount in Jerusalem, a minuscule bulla or seal impression was discovered, with the text probably reading “Isaiah the prophet”. It was discovered in the same layer where some years ago a similar seal impression was found with the inscription: “Belonging to King Hezekiah of Judah.”

Old Testament, New Testamentrégészet, régészeti felfedezés, Izrael
Bak Áron(203--212)

In der Studie wollte uns der reformierte Pfarrer, Theologe und Maler Áron Bak (1945–2012) vorstellen, wie in der Malerei am Ende des 19. Jahrhunderts und im 20. Jahrhundert die dynamische Bewegung durch Treppenmotive dargestellt wurde. Er stellt fest: Marcel James Duchamps und George James Framtons Bilder mit ihren Treppenmotiven widerspiegeln, daß Raum und Zeit, das heißt, daß das einheitliche Weltall, sowohl die menschliche als auch die göttliche Welt in sich zusammenfaßt, denn beide sind ja mit Goldtreppen miteinander verbunden.

Art historyart and the Bible, festészet, Marcel Duchamp

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