Journal index

A konfirmációval kapcsolatos református egyházi tanításhoz viszonyítva a köztudatban élő nézetek gyakorta deviánsnak tekinthetők, a szent és profán elemek valamifajta keveredése mindenképp megfigyelhető. A kortárs református teológiai kutatás adósa a közegyháznak a konfirmációval kapcsolatos szent és profán elemekre vonatkozó irányadó, vagy legalább gondolatébresztő értékeléssel. A téma időszerű vonatkozásainak vizsgálatánál fontos módszertani követelmény, hogy az elméleti megközelítés gyakorlati helyzetfelméréshez kapcsolódjon. Az utóbbi kérdőívek által történt Kolozsvár, és a városokhoz viszonyítva hagyományőrző Kalotaszeg 36 egyházközségében. Az alábbi tanulmány nem kínál tökéletes irányba vezető konfirmációreformot, inkább tényfeltáró és vitaindító jellegű.

Európa szenved, a 20. század vészterhes örökségét még nem sikerült feldolgoznia. Gyógyulatlan sebek, tabuk, előítéletek, egymásra sütött bélyegek maradtak a háborúk, rendszerváltások nyomán. Az egyének sorsa is hasonló, ráadásul a közösségek, a biztonságadó kötelékek fellazultak, és a sodródásban halmozódnak a összeütközések. A dolgok orvoslásáról addig álmodni sem lehet, ameddig mentalitásváltás nem történik, és ha az egymáshoz történő odafordulás be is következik, szükséges eltanulni a párbeszéd alapszabályait. Mit is jelent a dialógus?

The Life-work Which Reveals the Delusion of Christianity, the Kierkegaardian Criticism of the Church and Christianity. Entropy is a main characteristic of the human world; consequently the Church also has a similar tendency. Criticism is in symbiosis with Christian life. One of the most important critical analysis of Christianity is made by Kierkegaard. To understand his life-work from the point of view of criticism, we have to deal with three important aspects: a) The religious influence in his childhood. His family comes from the Moravian tradition; he had the opportunity to examine the dark side of this tradition as wel. b) His relationship to other personalities belonging to the golden age of Denmark. This period is characterized by the intensive reception of Hegel. Kierkegaard could not agree with the Danish Hegelians, because his consequent subjectivity was in permanent polemics with the objectivity of speculative theology. c) The methodology of Kierkegaard – interpretation. The Danish thinker used two types of communication, the direct and the indirect one. The indirect communication is characteristic for his poetical, aesthetical works. This type of communication has a maieutical character, in this manner the writer helps the reader find the truth, but he never gives formulated definitions. An other characteristic of his works are the use of pseudonym for the name of writers’. Kierkegaard protests against the quoting of this works under his own name, because he personally does not agree whit the opinion of the authors. Kierkegaard’s writings at the beginning include aspects of criticism, but in the last period he mostly attacks Christianity. In 1850 was published his Training in Christianity. In this book we can find the main points of his criticism, but after bishop Mynster’s death in 1854 his criticism becomes the sharpest. The targets of his criticism are: the erroneous Church – concept and the problem of sate Church; the cheap grace; the different sins of clergies; the insufficiency of knowledge for true Christian faith, and the discrepancy between Christian teaching and personal life of religious teachers.

Hymnology in the 16–17th Century Reformed Church of Transylvania. The religious experience, the belief in God and in God’s power has always influenced the society. The 16th century’s reformation defined and still defines Europe’s and the world’s social, religious, political and economical aspect. There were radical changes on the fields of theology, literature, liturgy, in religious songs, printing, school system, and syllabus within it. The new teaching of the reformers needed a new form of worship which preserved some of the old elements, formed, recreated them according to his needs. This way the religious hymn in stanzas was born in people’s native language, so as the metrical psalms in native language and humanist metrical folk songs. Their Hungarian origins are the historical songs of the previous century, songs translated by Luther as German origin and the psalms propagated by Kálvin as French protestant source. The graduals of course (In Transylvania mainly the Öreg Graduál) transmitted the structure of the ancient liturgy but neglecting the non biblical thesis (e.g. the hymns of the saints). There were other influences in smaller extent such as the songs of the Morvian brothers and the creations of Unitarian authors. The new form of worship took over from the graduals the medieval hymns, antiphones, sequences and psalms. On the pattern of the historical songs the first biblical histories were written in the time of reformation. The majority of these deal with Old Testament themes, but we can find some stories of the apocryphal books. The best known authors are: Tinódi Lantos Sebestyén, Gosárvári Mátyás, Valkai András, Temesvári János, Temesvári István, Nagybánkai Mátyás, Görcsönyi Ambrus, Tőke Ferenc, Csanádi Demeter, Salánki György, Tardi György, Sztárai Mihály, Mádai Mihály, Szegedi András, Ilosvai Selymes Péter, Hunyadi Ferenc, and others. Their works were published in Kolozsvár and Debrecen in the publishing houses of Heltai, Hofgreff and Komlósi. The collections of historical songs published in the 16th century are: a Hoffgreff Cancionale, Cronica by Tinódi and Cancionale of Heltai. Besides the graduals the folk songs in native language became organic part of the worship. They are even more oftenly used at the influence of the puritan movement from the second half of the 16th century. In the hymnbooks of the time there are translated songs but original Hungarian works as well. The most significant songs were published in the hymnbook of Gálszécsi István, in the Hymnbook from Várad, and later in the Hymnbook form Debrecen. The nearly 40 publishing of this latter hymnbook defined the songrepertory of the Hungarian protestant churches of 16th and 17th century.