Journal index

Versuch zur Formulierung der Einheitslehre der Drei-Einigkeit in unserer heutigen Sprache und mit unseren heutigen Begriffen. Nach meiner Erfahrung ist die Frage der Dreieinigkeit kein Problem bei den glaubenden Christen. Sie stehen mit Gott in persönlicher Verbindung und diese Beziehung wird von keiner theologischen Theorie gestört. Aber wir müssen es zur Kenntnis nehmen, dass unsere Gläubigen, vorwiegend ein großer Teil unserer Intelligenz, zwar ernst, aber von weitem sich Gott nähert. Sie erwarten von uns, über Gott sprechenden Fachleuten eine klare, allgemeinverständliche Antwort auf ihre Frage, wer das eigentlich ist, zu dem sie sich instinktiv hingezogen fühlen. Dazu taugen schon unsere tausendsiebenhundert jährigen Begriffe nicht. Nicht die Tatsache der Heiligen Drei-Einigkeit ist untauglich, sondern die Begriffe für ihre Erklärung. László Varga, dessen Schriften immer zur Diskussion veranlassen, geht von dieser Erkenntnis aus um die Einheitslehre in unserer heutigen Sprache und mit unseren heutigen Begriffen zu formulieren.

The Origin of Sin. The origin of sin is a universally commonly discussed problem of theology. It can be clarified only from the original texts of the Bible. There we find a clear answer by its diverse teachers: Sin originates from bodily desires. In our terminology, bodily desires are the biological instincts. In the animal world instincts are specifically restricted. They are only active in necessary times and conditions; they assurae the harmony of nature. Man’s instincts are free; they are always active and biologically unrestricted. The millionaire works for more money, women are able and ready to copulate even while being pregnant, the lust for power is limitless, and even world domination can not fulfil it. Remaining uncontrolled, instincts can destroy all human societies. They must be controlled morally. Man is personally responsible to keep them under God-given moral control. That is the dignity and tragedy of being human. Instincts are biological forces, morally neutral, but by nature self-centered. Godgiven morals are always altruistic. Under the guidance of strong morals, instinct is the force that brings good economy into reality, secures family life, a well trained society. When instinct escapes from under the control of morals, it is a guideless, selfcentered, always active force, which is able to destroy every social human activity, even personal life. Human morals are always questionable. My rules are as valuable as anyone else’s. Only God-given morals can be unquestionable. That is the meaning of the tree of the knowledge of good and evil: Man is free to do as he wishes, but moral laws are not under man’s will. To do what moral say is the personal and social responsibility of man. So there is a permanent battle between the moral convictions and the urgings of the instincts striving to get from under it. Consequently sin is the act of self-centered instincts getting out from under the guidance of the God-given moral rules.

Hymnology in the 16–17th Century Reformed Church of Transylvania. The religious experience, the belief in God and in God’s power has always influenced the society. The 16th century’s reformation defined and still defines Europe’s and the world’s social, religious, political and economical aspect. There were radical changes on the fields of theology, literature, liturgy, in religious songs, printing, school system, and syllabus within it. The new teaching of the reformers needed a new form of worship which preserved some of the old elements, formed, recreated them according to his needs. This way the religious hymn in stanzas was born in people’s native language, so as the metrical psalms in native language and humanist metrical folk songs. Their Hungarian origins are the historical songs of the previous century, songs translated by Luther as German origin and the psalms propagated by Kálvin as French protestant source. The graduals of course (In Transylvania mainly the Öreg Graduál) transmitted the structure of the ancient liturgy but neglecting the non biblical thesis (e.g. the hymns of the saints). There were other influences in smaller extent such as the songs of the Morvian brothers and the creations of Unitarian authors. The new form of worship took over from the graduals the medieval hymns, antiphones, sequences and psalms. On the pattern of the historical songs the first biblical histories were written in the time of reformation. The majority of these deal with Old Testament themes, but we can find some stories of the apocryphal books. The best known authors are: Tinódi Lantos Sebestyén, Gosárvári Mátyás, Valkai András, Temesvári János, Temesvári István, Nagybánkai Mátyás, Görcsönyi Ambrus, Tőke Ferenc, Csanádi Demeter, Salánki György, Tardi György, Sztárai Mihály, Mádai Mihály, Szegedi András, Ilosvai Selymes Péter, Hunyadi Ferenc, and others. Their works were published in Kolozsvár and Debrecen in the publishing houses of Heltai, Hofgreff and Komlósi. The collections of historical songs published in the 16th century are: a Hoffgreff Cancionale, Cronica by Tinódi and Cancionale of Heltai. Besides the graduals the folk songs in native language became organic part of the worship. They are even more oftenly used at the influence of the puritan movement from the second half of the 16th century. In the hymnbooks of the time there are translated songs but original Hungarian works as well. The most significant songs were published in the hymnbook of Gálszécsi István, in the Hymnbook from Várad, and later in the Hymnbook form Debrecen. The nearly 40 publishing of this latter hymnbook defined the songrepertory of the Hungarian protestant churches of 16th and 17th century.