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The Barth-Brunner debate is one of the significant moments of the Protestant theological history in the 20 th century. The replica-exchange of the two outstanding figures of dialectical theology in 1934 not only includes the theological centres of gravity of Karl Barth and Emil Brunner, but also gives insight into the sparkling theological and spiritual atmosphere of the 1930s. Brunner’s interpretation reveals a specific version of natural theology, while Barth, in the spirit of New Reformation Theology, expresses his position in terms of the authority of the Word. In this essay until we explore the content of some points of the debate, we also briefly reconstruct the circumstances of its origin, as well as we mention its history and evaluation in Transylvania.

This paper discusses three Hebrew gratulatory poems from the corpus of so-called carmina gratulatoria hebraica composed by 17th century Hungarian peregrines in Franeker (Holland). It introduces the genre and context of this type of poems. As carmina gratulatoria represent a community oriented genre, they offer a wealth of information about their sociocultural setting, in our case the relations of the writer and his addressees, his education in and knowledge of Hebrew in Hungary and in the Netherlands, the writer’s skills of Hebrew and writing poetry. This is the first study of these Hebrew poems from the 17th century.

Die persönlichen und kollektiven tragischen Erfahrungen des zwanzigsten Jahrhunderts haben den französischen Philosophen Emmanuel Lévinas dazu geleitet, das bekannte biblische Gebot wieder ins Licht zu bringen. Der Imperativ, du sollst nicht töten hat in der Philosophie von Lévinas eine paradigmatische Funktion. Auf einer Seite unterstreicht Lévinas die göttliche Originalität des Verbotes, auf der anderen Seite betont er, dass diese Aufforderung fürs jeweilige Ich gültig ist, denn auf dem Gesicht des anderen steht immer zu lesen: Du sollst nicht töten!