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The sources of Albert Kovács’ (1838–1904) theological freedom must be analysed in order to understand his theological thinking and determine his place in liberal theology, especially on the wide palette of its Hungarian representatives. In this study, I explore the origins of the influences that impacted him in his childhood, during his theological studies in Transylvania and abroad, that could have shaped his thinking. His childhood years in Mezőbánd were characterised, on the one hand, by the devotion of his family towards the church and, on the other hand, by the indelible imprint of the declining ecclesiastical crisis. During his school years, he became acquainted mainly with the ideology of rationalism, which laid the foundations for his later liberal theological orientation. During his studies in Utrecht and Göttingen, he encountered liberal, mediating and orthodox positions. Upon his return, he came under the influence of the radically liberal Mór Ballagi (1815–1891). Although this clearly set him on the liberal side, his orientation did not preclude the use and application of ideas taken from representatives of confessional theological schools that he has got acquainted with abroad.

This is the third, closing section on the life of Countess Anna Teleki (1783-1851). In Part I we dealt with her youth, in Part II with her marriage to Simon Kemény, and in this last section with her widowhood. After the death of her husband, Anna Teleki moved to Enyed (Aiud), where her home, the “Burg”, became not only a centre of her family life but also of cultural and political life. She was responsible for the financial support of Farkas Bolyai. Her sons and sons-in-law played a nationally important role in the Union and during the War of Independence (1948). They were forced to flee from Enyed because of the attack of the Romanian Moț groups. After the War of Independence, the family went into hiding in Tiszaroff and Érmihályfalva (Valea lui Mihai). Here she received a letter from Farkas Bolyai evaluating the recent events of those days. She died on her return to Kolozsvár (Cluj-Napoca) in 1851. Her life and moral example deserve respect even by biblical standards.

After presenting the youth of Anna Teleki in Part I. of our study, in this second part, we deal with her marriage to Simon Kemény. Count Anna Teleki married Br. Simon Kemény Jr in 1801, who had previously studied at the University of Göttingen with his fellow student, Farkas Bolyai. Simon Kemény later remained Bolyai’s friend and spiritual companion. The young couple lived in Marosvásárhely (Târgu Mureş), Apanagyfalu (Nușeni) and in Csombord (Ciumbrud) in Lower-Alba county. They had six children, five of whom reached adulthood. Anna Teleki raised her children to virtues such as kindness, honesty, diligence, modesty. Her prayers and writings on educating of children have survived the centuries. With the support of the family, most of them had reached an outstanding career: Dániel Vajda, the later winemaker expert, János Szabó, portrait painter, Miklós Barabás, painter, and Károly Szász Sr., a mathematician and a lawyer. From 1823 until his death in 1826, a period considered by contemporaries the golden age of the county, Simon Kemény served as the administrator (chief lord) of Lower-Alba county.

The life of Anna Teleki (1783–1851), wife of Count Simon Kemény is presented in 3 parts. Part I deals with his youth, Part II with his marriage to Count Simon Kemény, Part III. with her widowed years.

The father of Anna Teleki was Count Domokos Teleki Sr., the later chancellor and memorial writer of Turda, her mother was Countess Judit Bethlen of Bethlen. Her mother dies when she was one years old, and her two brothers follow their mother soon. Until the age of six, she was raised in Apanagyfalu (Nușeni) and Cluj-Napoca by her maternal grandmother, Countess Júlia Wass from Czege, wife of Count Elek Bethlen. When her father remarries, she moves to Sárpatak (Șapartoc). At the age of 15, in 1798, she became the bride of the famous mineral collector, Count Domokos Teleki Jr., but her fiancé tragically died the same year.

Jókai’s works have rarely been examined with respect to their religious content. In this study, I propose an analysis from this particular perspective, examining the Scripture quotations and paraphrases, metaphorical expressions and prayers of one of this author’s most famous novels, A kőszívű ember fiai (The Heartless Man’s Sons). These references attest, on the one hand, to Jokai’s faith and religious practice, and, on the other, to means of expressing the writer’s thoughts more intensely and more sensitively. Exploring and analyzing further religious aspects of the novel will be the task of future studies.